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Op. 91 |
1950 |
Concert for Horn and symphonic orchestra in
B flat major |
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dedicated to Valeri Vladimirovich Polekh |
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I. Andante (Cadenza by V.V. Polekh) |
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II. Andante |
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III. Moderato. Allegro vivace |
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3, 2, 2, 2 - 3, 2, 3 ,1 - timpani, percussion, harp, strings. |
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duration
26 minutes. |
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première: May 10, 1951, Leningrad, |
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Orchestra of the Leningrad Committee Radioinformation, |
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conductor
- composer, soloist - Valery V. Polekh |
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January 26, 1952, Moscow, conductor
and soloist as on May 10, 1951 |
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transcription for french horn and piano |
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Op. 92 |
1951-1952 |
Taras Bulba
ballet in four acts |
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To the 100th day of death of Nikolai
Vassiljevich Gogol (1809 - 1852) |
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Op. 92a |
1951-1952 |
Suite from the ballet Taras Bulba for symphonic orchestra |
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1. Introduction |
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2. Taras expects the son |
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3. Andrij |
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4. Ostap |
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5. Infinite Ukrainian steppe |
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6. Whirlwind (Gopak [Ukr. dance]) |
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7. Great Adagio |
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8. Mazurka |
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9. Zaporozhe dance |
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3 (III - l. flute), 3, 3, 3 - 4, 3, 3, 1 - timpani, triangel, tambourine, small
and big |
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drums, cymbal, little bells, 3
harps, piano, strings. |
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première: January 26, 1952, Moscow.
conductor - composer. |
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Op. 93 |
1953 |
Glory of the Soviet army |
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Cantata for soloists, choir,
narrator, symphonic- and wind orchestra |
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(To the 35th anniversary of the Soviet army). |
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Text by Ja. Belinski |
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part I |
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1. You were born in a hot battle |
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mixed choir |
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2. The steppe. |
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Baritone and tenor solo and
male-voice choir |
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3. You have destroyed all enemies in the battles. |
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mixed choir |
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part II |
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4. Intense, terrible. |
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Bass Solo |
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5. For our free earth |
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mixed choir |
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6. Eagle coming flying up
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Mezzosoprano Solo |
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7. Volgograd |
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choir |
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8. The golden Prague greets the heroes (Czech song). |
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mixed choir |
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première: May 24, 1953, Moscow,
via radio, |
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conductor
- V.V. Zelikowski |
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Op. 94 |
1940 |
Lejli and Medshnun Opera in four acts (seven
scenes) |
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Koauthor - Talib Sadykov. Libretto Sch. Churschid and M.
Muchamedov after the |
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poem of the same name by Mir Alischer Nawoi (1441-1501). |
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première: June 18, 1940,
Tashkent, |
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conductor - Talib Sadykov, director
- M. Muchamedov, |
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ballet master
- W. Gubskaja, E. Baranovski, stage set - Sch. Scharachimov. |
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interpreters of the leading
roles: Lejli - Ch. Nasyrowa, Kajs - K. Sitdykov. |
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December 18, 1954, Tashkent, conductor - Talib
Sadykov, |
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director
- M. Muchamedov, ballet master
- G. Dawitaschwili, |
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stage set
- M. Musajev. |
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interpreters of the leading
roles: Lejli - Ch. Nasyrova, N. Achmedova, N. Chaschimova |
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Kajs - G. Abdurachmanov, S. Jaraschev. |
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Op. 95 |
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[dropped] |
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Op. 96 |
1949 |
Gjulsara Opera in four acts (five scenes) |
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Co-author - Talib Sadykov. Libretto - Kamil Jaschen
(Nugmanov) and M. Muchamedov. |
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première: December 25, 1949,
Tashkent,
conductor - Talib Sadykov, |
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director
- M. Muchamedov, stage set - M. Musajev, |
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interpreters of the leading
roles: Gjulsara - Ch. Nasyrova, Kadyr - G. Abdurachmanov, |
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Ibrahim - K. Sakirov. |
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Fragments of the opera for one and two voices and piano. |
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Text in Usbekian language |
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Op. 97 |
1955 |
Festive overture for symphonic orchestra
in D major |
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4, 4, 4, 4 - 6, 4, 3, 1 - timpani, percussion, little bells, 2 harps, piano |
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strings. |
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duration
5 - 6 minutes. |
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première: November 6, 1955. Moscow,
Bolshoi Theatre of the USSR, |
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symphonic orchestra
of the Bolshoi Theatre of the USSR, |
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conductor
- A. Sch. Melik-Paschajev. |
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Op. 98 |
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[dropped] |
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Op. 99 |
1955 |
1. Improvisation for piano in E major |
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published as
a note supplement of the magazine "Soviet music", 1956,
No.7 ("child album") |
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2. Melody for piano in B flat
major |
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published as
a note supplement of the magazine "Soviet music", 1956, no. 10,
paper stuck (p. 16-17) |
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op. 100 |
1956 |
Concert
(Concert-Allegro) for violin and symphonic orchestra
in G minor |
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posthumous work. Completed and
orchestrated by B. N. Ljatoshinski, |
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editing K. G. Mostras. |
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duration
16 minutes |
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première: September 20, 1959, Moscow,
via radio, |
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Symphonic Orchestra of the
Allunion Radio, conductor - A. K. Jansons, |
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soloist
- B. E. Goldstein |
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transcription for violin and piano |
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